Swamp Blues

Filter the Lessons
This category can only be viewed by members.
Swamp Blues
G7 Country Lick
Melodic Patterns
Stairstep Lick
Angular Blues
E7 Country Lick
One String Sliding
Major Pentatonic Plus the 4th
How to Play “Key to the Highway”
G7 Tritone Lick with Open String Intro
Fingerpicking Turnaround with Contrary Motion
F7 Second Line Funk Riff
Bb7 Open String Lick
Acoustic Blues Turnaround in C
A7 Stairstep Lick
Moveable Triplet Line with Open String
D Major Country Line
Cm Line with Open String Concept
Cascading Pentatonics
Cascading Major Scale Line
Blues Comping RnB Style
Slash Chords Overview
Blues Classic Turnaround 2
Blues Classic Turnaround
E Major Slide Lick
Pastoral Lines
Cm Blues Lick
How to Play “Down Like Hail”
Jeff Beck Lick in D7
Giant Gm7 Line
Giant F Major Line
What I Learned From Eric Johnson
Am7 Pentatonic Lick
B7 Bending Lick Using First Finger
“You Don’t Love Me” Riff from Essential Blues
E7 Chord Lick
Diminished Sequence Up the Neck
Country Steel Licks for Blues
What I Learned From Albert Lee Part 2
The Mystery Dominant Chord
Pentatonic Rhythmic Ideas
Movable Sixth Chord Lick
How to Play “Little Swamp”
Inventive Rhythm Guitar
“Highland Shuffle” Intro
Song Seeds (Songwriting Tips)
Rockabilly Doublestop Bend
Blues Variations
Blues Lick with Compound Bend
A7 Open String Country Blues Lick
Ringing E Major Lick
Open String Bluegrass and Country Blues Lick
Min7b5 Arpeggio Sequence
Inner Voice Motion for Dominant Chords
Another Tritone Lick on E7
Am Dorian Springboard Lick
E Major Pentatonic Barnburner Lick
A Major or F#m Melodic Line with Triads
Bluegrass Blues Lick
Em7 Line No Fourth
What I Learned From Josh Smith
Blues Doublestops with Tritone
Country Rhythm with Sliding Thirds
What I Learned From Joe Zawinul
Neck-Spanning F#m Line
Em Rhythmic Sequence
E Major Pentatonic Ascending Line
C7 with Rampant Chromaticism
Bm Using Major Triads
Ascending F#m Line
Tones – Vintage Chime (Beatles and Byrds)
Tones – Vibratone Secret Weapon
Tones – Surf
Tones – Shimmering Clean
Tones – Semi Crunch
Tones – Rockabilly
Tones – Ethereal Man
Tones – Country Lead
Tones – Classic Jazz
Tones – Classic Blues
Tones – Introduction
Whole Tone Scale Ideas
Stretchy Chord Voicings
“Riding the Bean” Main Melody
Phrasing Techniques
“New Year’s Day” Chord Voicings
Holdsworth-Inspired Diminished Line
Five Note Sequences
Eleventh Chord Line
Grooving in E7
“Riding the Bean” B section
Power Diminished Line
Double Octave Line from “Beyond My Reach”
Diminished Line in Fives
Descending Diminished Line
Ascending Chord Lick in C7
Using the Fret Hand Thumb
Transposing Made Easy (Ukulele)
Moveable 6/9 Chords
Add9, 2, and sus2 Chords
Country Lick #6 – Holly House
Country Lick #5 – Pedal Steel Sixths
Carl’s Noodles #4 – Groovy Blues
Carl’s Noodles #3 – Country Pickin’
Carl’s Noodles #2 – Spacey Shred
Carl’s Noodles #1 – High Gain Rock
Sliding Harmonics
“Revival Downs” Instrumental Section
Gm7 or Bb Position Change Lick
C7 Sliding Line
Am7 Line
What I Learned From Leslie West
Blues Intro in C
Country Lick 4 in A
Country Lick 3 in A (pedal steel style)
Country Lick 2 in G
Country Lick 1 in G7
There’s a Fingering for Everything (Hank Garland: “Move”)
Minor Sliding Lick 2
Hank Garland: “Sugarfoot Rag”
3 Note Inversions for G7
What I Practice
Power Pentatonics
Sessions: Star Tours
Sessions: “Land of the Lost”
Sessions: “Cheers”
Basics: Knowing the Notes
Basics: Chord Voicings
Double Time Technique
Modes Part 7: Locrian
Modes Part 6: Aeolian
Modes Part 5: Mixolydian
Open String Licks Part 2
Open String Licks Part 1
Modes Part 4: Lydian
Modes Part 3: Phrygian
Extending Chords with Harmonics
Sliding Chords
Modes Part 2: Dorian
Modes Part 1: Introduction and Ionian
Melodic Minor Over Chords
Insane Wang Bar Licks
Ear Training Part 1
Bending Exercise
Walking Bass Lines
Travis Picking
Singing and Playing Chinatown
Sight Reading
Samba Comping
Phrasing Over A 1-Chord Vamp
Modes – It’s All About Context
Mixing Pentatonics
Four Note Scale
Diminished Scale in Funk Music
Diminished Scale Part 2
Diminished Scale Part 1
Blues Turnarounds in A